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Mise-en-scene: A Clockwork Orange

               For the film A Clockwork Orange, the setting begins in an early 1970's looking room, filled with semi-bright lighting focused on Alex and his "Droogs," and as the camera begins to pull back to show the rest of the room, the panels of light bulbs lining the walkway that led to Alex and his Droogs exposes the group of people in the room.  From people dressed in normal clothes, to soldiers holding their heads down. It is evident that the movie was filmed at some time in the 1970's, as the people wearing civilian clothing in the opening scene are wearing garments that are recognizable to what men wore during the 1970's. However, the setting is written to take place in the year 1980. The placement of Alex and his Droogs at the head of the room sets the notion that they are going to be the more important characters throughout the duration of the movie. It is also noticeable through the characters' accents that the setting takes place...
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Classmate's Camera Shots

Aniya Jefferson: The three shots I chose to comment on her blog were the extreme close-up, the tilt shot, and the low angle shot. 1. Extreme Close-up: This shot she took grasped the concept of an actual extreme close-up very well and I could feel the awkwardness and anxiety of the shot because it fixated so close for so long. 2. Tilt: This shot was a shot that made me feel very minute and small in comparison to the tree. She was able to emphasize the tree's height, which also made her seem very small in comparison.  3. Low Angle: This shot, like the tilt shot made me feel very small in comparison to her. More-or-less, this is a shot that evoked a feeling of defeat like when a superhero defeats a super villain. Emily Solis: 1.  Head-on shot: I really enjoyed how cute Woody was running up the stairs and watching it, I felt playfulness and innocence.  2. Eye-Level: The eye-level shot was adorable and radiated cuteness, wonder and innocent curiosity, which I very much enjoy...
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Semester Exam- Film Opening Analysis of Black Mirror (Season 3, Episode 4, San Junipero)

      Beginning with the extreme close up shot of the shoreline that dissolves into an establishing shot of the city of San Junipero at night, the clip creates a feeling of fun with the existing night life within the city. From there, a cutaway shot from the long, establishing shot of San Junipero to the front of the club called Tucker's that extends into a panning shot that follows the car full of college-age students in front of the diner that really emphasizes the feeling of a buzzing night life that sparks interest of the audience. The next camera shot, which cuts from the outside of the diner, to a close-up of the woman walking down the city strip and stopping in front of the television shop, develops a sense of curiosity and confusion that almost accentuates innocence in a way. The next moment, which is an over-the-shoulder shot from behind the woman, facing Tucker's, creates an enveloping moment where the audience can feel the woman bracing herself to reluctan...
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